ORCHESTRA
Public People (2018) (with Splitter Orchester); ca. 70 mins; Splitter Orchester, chamber ensemble: fl/picc/bfl, ob/bob, cl/ebcl/bcl, sax/baritone sax, perc, pf/fender rhodes, vn, va, vc
Rockaby (2016); 12 mins; orchestra, live foley, vocal/physical performer
World Enough (in two movements) (2005); 1 sec; orchestra
Map of the Moon (2004); 20 mins; pf, orchestra
Critical Mass (2003); 22 mins; orchestra, tape

CHAMBER
ARK (2021); ca. 35 mins; sopranino/s/arec, banjo/ronroco/baroque gtr, 2 female voc, male voc, harmonium/spinet, baroque vn, bviol, reader
Zwischen Uns (2020); ca. 15 mins; fl/picc/afl/bfl, ob, cl/Ebcl/bcl/cbcl, hn, tpt/Ctpt, tbn, cbtuba, perc, pf, e-gtr, cb
Nostalgia (2019); 15 mins; 2vn, va, vc
Kingdom Come (2014); 20 mins; 3 voc, hrm, electronics
March March March (2013); 6 mins; 2fl, ob, 6cl, bsn, alt sax, ten sax, bar sax, 3hn, 3tpt, 3trb, 1euph, 2tba, 3perc
In Nomine (2006); 3 mins; fl, ob, bcl, pf, vn, va, vc
Decoy (2004); 17 mins; fl, ob, cl, vn, va, vc, perc, live electronics
Word Play (2004); 12 mins; picc, fl, cl, sop sax, bar sax, 2hn, tpt, 2tbn, perc, elec bass, vc, pf
Geometry of Pain I (2002); 10 mins; voc, vc, gtr, amplification
Impossibility (2001); 14 mins; speaker with spoons, cl/bcl, egui, vc
Quintet (Barbara Allen) (2000); 10 mins; 2vn, va, vc, pf
Der Glücklose Engel (1999); 10 mins; ecl, vn, vc
Craw (1997); 7 mins; fl, ob, cl, bn, hn, tot, trb, pf, 2vn, va, vc
What This Night (1997); 10 mins; ob, cl, acc, perc, harp, 2pf
Nocturnal (1995); 8 mins; 2vn, va, vc
Glimpsed Most Clearly From The Corner Of Your Eye (1992); 5 mins; 7 vc

SOLOS & DUOS
A Violin Remembers (2022); 14 mins; vn, audio playback
nearly, very nearly (2020); 3 mins; vla
Irene Electric (2013); 15 mins; amplified vn & tape
Graffiti (2007); 13 mins; perc, electronics
Zero (2006); 9 mins; fl/picc/bfl, acc
To the Ground (2005); 11 mins; vn, computer
Matrix (2001); c. 13 mins; elec vn
Nostos Ou Topos II (2000); 7 mins; gtr
Kit (1999); c. 10 mins; voc, any instrument
Danaides (1996); 6 mins; vc, tape
Chiaroscuro (1995); 14 mins; trb, pf
From this deposit a transparent bubble comes to the surface at certain times and explodes gently on reaching his lips (1994); 8 mins; bcl
Une Mort Héroïque (1993); 9 mins; speaker (tape), va

PIANO
Piano again (2019); 3 mins; pf
Heart of Glass (2019); 14 mins; pno, video
50 is a magic number (2018); 2 mins; pno
untitled (2017); 53 sec; pno
Loser (2014/16); 10 mins
Geometry of Pain II (2003); 12 mins; pno, video
The Barnyard Song (2003); 3 mins; (for Elena Riu’s Little Book of Salsa)
Invisible Cities (1999); 7-15 mins
Der Zwerg (1998); 10 mins
Mesarch (1997); 5 mins
So ist mein Jesus nun gefangen (1993); 5 mins; (Transcription after Bach)
Spring (1996); 1 min

VOCAL
Stamp Club Report 1980 (2018); 53 mins; mixed vocal/facial performers, cassette machine, photographs, electronics
Regnsvart (2017); ca 8 mins; mixed voices
Wir kommen und wir gehen (with Christian Jendreiko) (2016); choir
Piece for girls’ choir (with Amnon Wolman) (2016); female choir
havi ikki pláss fyri fleiri eygum (2014) 4 mins 45 secs; S.S.A.A.T.T.B.B.
As in Heaven (2007); 21/2 mins; S.S.A.Bar.T.B
Homecoming (2003); 20 mins; 5 amplified sop, electronics
Le Crépuscule du Soir (1996); 14 mins; sop, pf

MUSIC THEATRE
Institutions of the Flesh (2021); 40 mins; voc/actor, pf, vc
Pferdeblick (2021); ca. 3 mins, voc/actor
The Trouble with Windmills (with Thorolf Thuestad/Neither Nor) (2018); 40 mins; voc, vn, electronics, live tattoo, 4 assistant perf, kinetic sculptures
We, three (2017); 30 mins; pf, vn, vc
Vitality Forms 6 (2016); 7-10 mins; voc/physical perf
Vitality Forms 5 (2016); 7-10 mins; voc/physical perf
The Art of Violin Playing (with Thorolf Thuestad/Neither Nor) (2015); 55 mins; 2 vn, 2 dancers, actor, 6 assistant perf, kinetic sculptures, electronics
Homing (2015); 20 mins; 3 voc perf, electronics + 21 physical perf
Vitality Forms 4 (2015); 7-10 mins; voc/physical perf
Vitality Forms 3 (2015); 7-10 mins; voc/physical perf
Vitality Forms 2 (2015); 10 mins; mixed ensemble min 5 players + 3 voc& 3 facial perf
Vitality Forms 1 (2015); 7-10 mins; voc/physical perf
Hospice Lazy (2014); 60 mins; pf, vn, vc, electronics + physical perf
Erika married the Eiffel Tower (2013); 20 mins; fl, ob, bass cl, 2 pianists/1 pf, vn, va, vc, video
Oh no love, you’re not alone (2013); 20 mins; voice, pf, vn, vc, video
Objects of Desire (2010); 15 mins; pno, vn, va + 3 additional perf
Oslo Emmaus (2010); 18 mins; sop, alt, pf, video
Source of Energy, Routes of Power (2010); 15 mins; ob, 2 voc, pf, vn
Flutterby (2009); 15 mins; e-gtr, 2 computers
Don’t touch me, you don’t know where I’ve been (2008); Music Drama; 35 mins; fl/picc, cl/bcl, voc, perc, pf, gtr, electronics
Frame (2007); Music Drama; 15 mins; picc, ob, cl, bn, hn, tpt, tbn, perc, harp, gtr, vn, va, vc, db, video (2 screens), electronics
Heroic Death - Une Mort Héroïque revised (1998); 20 mins; Chamber Opera; 2 sop, bar, vc

THEATRE
Underground (With Thorolf Thuestad/Neither Nor in collaboration with Scènes Théâtre Cinéma) (2019); 120 mins
Hamlet Machine (With Thorolf Thuestad/Neither Nor in collaboration with Scènes Théâtre Cinéma) (2016); 60 mins

INSTALLATIONS
Glorvina (2012); 3 mins 20 secs; fixed media
A Cognitive Theory of Metaphor (2009) (with Thorolf Thuestad)
Don’t touch me, you don’t know where I’ve been (2008) (installation version, with Thorolf Thuestad)

EDUCATIONAL / AMATEURS
Thor Sleeps (2004); 7 mins; for any 4 instruments and at least one pair of hands
Barbara Allen (Fragments of a Lament) (2000); 4 or 8 mins; vn, vn (va), vc, db, pf

TRANSCRIPTIONS
Höchster from Cantata BWV51 (2004); 10 mins; Transcription of Bach for sop, acc, vn, vc.